Last night, Squeeze delivered a vibrant performance at Halifax’s iconic Piece Hall, transforming the historic courtyard into a pulsating celebration of their enduring legacy. The British new wave pioneers, known for their sharp songwriting and infectious melodies, proved they remain a formidable live act, blending nostalgia with fresh energy in a set that spanned their illustrious career. With a crowd of devoted fans filling the open-air venue, the band’s chemistry and musicianship shone brightly under the summer sky.
Squeeze, formed in 1974 in London by songwriting duo Chris Difford and Glenn Tilbrook, emerged as a defining force in the late ‘70s and ‘80s new wave scene. Their early albums, including Cool for Cats (1979) and Argybargy (1980), produced hits like “Up the Junction” and “Pulling Mussels (From the Shell),” blending witty lyrics with catchy pop hooks. The 1981 classic East Side Story introduced “Tempted,” a timeless track that cemented their transatlantic appeal.
Over five decades, Squeeze have navigated breakups and reunions, consistently delivering music that resonates with working-class storytelling and melodic brilliance, earning them a loyal following and critical acclaim. The evening kicked off with “Black Coffee in Bed,” setting an upbeat tone with its soulful groove and Tilbrook’s soaring vocals. The eight-piece band, bolstered by dual percussionists and a new female vocalist, brought a robust, layered sound to the stage.
Tracks like “Footprints” and “Is That Love” showcased their ability to merge tight rhythms with playful energy, while “Up the Junction” had the audience singing along, its narrative lyrics evoking a shared sense of nostalgia. The setlist leaned heavily on their early catalogue, with “Pulling Mussels (From the Shell)” and “Another Nail in My Heart” highlighting their knack for crafting pop gems that feel both timeless and immediate. Midway through, the band ventured into deeper cuts like “Some Fantastic Place” and “Trixie’s Hell on Earth,” a Glenn Tilbrook solo piece, adding variety and showcasing their willingness to revisit lesser known material.
“Goodbye Girl” and “Cool for Cats” kept the momentum high, with Difford’s cool delivery complementing the band’s dynamic arrangements. The crowd’s enthusiasm peaked during “Tempted,” its iconic keyboard riff and emotive vocals sparking a collective singalong. Later, “Hourglass” and “Take Me I’m Yours” closed the main set with a burst of energy, the latter extended with band introductions and solos that echoed the exuberance of their early days. A brief snippet of The Velvet Underground’s “After Hours,” performed by vocalist Danica Dora, added a quirky touch during the introductions, reflecting Squeeze’s playful spirit.
Photo Copyright © Jo Forrest
The performance wasn’t flawless, occasional sound mix issues slightly muddied the vocals, but the band’s enthusiasm and tight interplay overcame any hiccups. The Piece Hall’s stunning acoustics and open air setting amplified the experience, making it a memorable night for fans old and new. Squeeze’s ability to blend their classic hits with renewed vigor underscores why they remain a beloved institution in British rock, their 50th anniversary tour a testament to their enduring appeal.
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