Alternative British rock legends, Editors, announce headline show at O2 Academy Brixton on Thursday 2nd May. Tickets go on general sale Friday 8 March at 10am via Metropolismusic.com
Editors have cemented their status as one of Britain’s most influential and innovative rock bands since their debut in the early 2000s. With Chart-topping hits and number-one albums, Editors have gained critical acclaim, platinum sales, and multiple award nominations including, Mercury Prize awards and Brit award for Best British band.
From their breakout debut album “The Back Room” to the experimental “EBM,” Editors continue to push the boundaries of alternative rock music and evolve their own sound while maintaining a loyal and dedicated fan base. Continuing to captivate audiences worldwide with their dynamic live shows and musical evolution, Solidifying themselves as a pioneering force in British alternative Rock.
Thursday 2nd May London, U.K. O2 Academy Brixton
Tickets go on general sale Friday 8 March at 10am via MetropolisMusic.com
About Editors
Editors have never been a band who do what’s expected. When they emerged in the early 2000s, university friends from Birmingham, they were swept into a wave of indie groups with whom they had little in common beyond playing guitars. Then, after their 2005 Mercury Prize-shortlisted debut The Back Room and 2007 #1 follow-up An End Has A Start, they switched up their sound for synths. That was their first act of bravery, says frontman Tom Smith, and they’ve been taking risks ever since.
Editor’s most recent seventh studio album EBM, is their most leftfield material yet – a thrilling, unrelenting thrust of full-bodied electro-industrial rock. Another new dawn: Benjamin John Power – aka Blanck Mass – has co-produced the album and come aboard as an official member. To outside ears, it might seem like an unusual pairing: an anthemic rock band who’ve headlined Wembley Arena and an Ivor Novello-winning composer who is best known for his abrasive noise projects. Benjamin’s journey to joining Editors was a surprisingly organic one. He had worked on the band’s last album, 2018’s Violence, giving some songs a more brutal, industrial edge, the full realisations of which came out as 2019’s The Blanck Mass Sessions.
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